This Season is kicking into high gear for me. I am immersed in my A3 art journal and loving getting lost in there. I really enjoyed trying a page in a style that is completely not my own. I went with a multi-layered, yet neutral background. I surprised myself with how I liked working this way. There may be a minimalist in me yet! Thanks EmK for this cool prompt.
I was thinking about how contrast (even when we don’t want to see it that way) often is an opposing state. Pitting on side against the other. But, like everything in life, it is a fine line and things are not always so cleanly cut. Hence I blurred the line.
Next, I tried Tanyalee’s tutorial on the free blog. The two initial colors I used were magenta and teal and I didn’t like the result. So I added Paynes’s Gray and still I hated it.
So I took it outside and used my spray paints on it. Much better. This spread addresses the idea of how we would solve things in the animal world.I call it Camouflaged.
The spread is on the backside of last week’s one with the faces and I love how my own stitched face is hidden in the corner.
Hands have been everywhere in my work lately. Ghost hands, invading hands, giving hands. I’m not tired of them yet.
This spread is a homage to my Totem-ers. The women in that group make me so proud. They are releasing the negative, they are claiming what is theirs. We are putting on our tiger stripes and we are rising.
It’s also my take on Julia’s “controlled chaos” collage idea. The neon collage paper I made last October and am happy to have found a great use for it.
It is also my take on Misty’s really cool idea of big vs small and the impact on your art.
A final spread: A legacy of half truths. I played around with packing tape transfers and fabric and stitching during my day off on Monday. A lot of the techniques in this spread come from having the time to catch up on the Metamorph workshop.
When thinking about contrast and patterns, these are not only literal, they apply to our lives as well. I am in a transformation process and am undoing a lot of patterns that were passed down to me by the women in my family. It is kind of a big deal for me on a deep personal level.
Eating disorders are strange because they make you seem so petulant. Like of all the things that could be wrong with you, with everything going on in the world how can your problem be wanting to look thinner? But that isn’t what it’s about. It’s about self-esteem, lack of control or someone else imposing their ideas/ways of seeing things/issues/control on you. It’s about feeling like you are endlessly falling and you need to create a cushion to soften the landing. It’s not a surface thing it’s a low lying, in the dark murky waters lying thing.
My body deserves not to be a depository for every emotion I have had to go through, it’s not a depository for my anxiety, it is not a rampart against getting hurt. Food should not be a safe haven/addiction/distraction from my feelings. I’m working on forgiving myself first and foremost. And then forgiving others.
For the first time in 42 years, I am doing something really good about it and I am feeling proud and vulnerable. So there it is. Contrast.
Get Messy Art Journal is an art journaling program/community. We are a group of like minded art journalers who have come together under this art form to learn, share, practice our skills and push past our creative limits with hopes to inspire. Our community values consistent creating, encouragement and support and trying new things. We would love to have you join us as a member of Get Messy Art Journal. Join Get Messy now!